Unique movement vocabulary encapsulating the essence of Indian traditions and complex contemporary experiences are woven with layered visual images and surrounding multi-phonic sound-scape.\u00a0In an allegorical narrative alluding to human situations and predicament, Bhinna Vinyasa<\/strong>\u00a0mixes\u00a0memory, experience and imagination of individuals caught up in tumultuous changes where locations and conditions are continuously shifting.\u00a0Alluding to the imagined ancient idea of the\u00a0\u0101tman<\/em>\u00a0(individual soul)\u00a0and\u00a0param\u0101tman<\/em>\u00a0(universal meta soul)\u00a0as well as the rhizomatic relations in the \u201cpost-humanist future, in which the world has been enriched by a multiplicity of non-human agencies\u201d\u00a0Bhinna Vinyasa<\/strong>\u00a0explores the notions of self through a continuous process of becoming and disappearing where the coordinates of time and space appear rather elastic.<\/p>\n Conceptualised and directed by artistic director of Attakkalari\u00a0Centre for Movement Arts Bangalore, Jayachandran Palazhy<\/strong>, Bhinna Vinyasa is choreographed by him along with the immensely talented dancers of the renowned Attakkalari Centre for Movement Arts<\/strong>. Weaving his electro-acoustic soundscapes with elements of Carnatic Jathis and Alaaps, German composer Martin Lutz<\/strong>\u2019s multilayered sound score is both provocative and alluring.\u00a0 Andr\u00e9s Morte Ter\u00e9s<\/strong>, the dramaturg, has skillfully scrutinized the narrative to fit within the frameworks and language of the performative realm and closely watch over the cross-cultural references making it comprehendible for the global audience. Shymon<\/strong> Chelad<\/strong>\u2019s imaginative lighting employs myriad shades of colour, texture and illumination to create evocative and transient images.<\/p>\n <\/p>\n <\/p>\n <\/p>\n CALENDAR<\/strong><\/p>\n October 27, 2016 | Gurunanak Bhavan Auditorium, Bangalore (India) | Preview<\/a> <\/p>\n Photogallery<\/strong><\/p>\nartistic direction: Jayachandran Palazhy
\nchoreography: Jayachandran Palazhy and Attakkalari Repertory Company
\ndance: Meghna Nambiar, Sylvester Mardi, Hema Bharathi Palani, Parth Bharadwaj, Anindita Ghosh, Snigdha Prabhakar
\ndramaturgy: Andr\u00e9s Morte Ter\u00e9s
\nmusic composition \/ sound design: Martin Lutz
\ndigital design: Luca Brinchi
\nmusic collaborations: K.R.V Pulkeshi, Balasubramanya Sharma, P. Janardhana
\nlight design: Shymon Chelad, Andrea Narese
\ntechnical support: Niranjan Gokhale, TransMedia Technologies
\nrehearsal direction: Hema Bharathy Palani
\ncostumes: Aloka Gloria D\u2019souza
\nco-production: Attakkalari Centre for Movement Arts Bangalore, Fabbrica Europa
\nin collaboration with CSRT Teatro della Toscana \/ Teatro Era, Pontedera
\nwith the support of Ministry of Culture (Govt. of India), Goethe Institut\/Max Muller Bhavan Bangalore, TNQ Pvt. Ltd., Norwegian Ministry of Foreign Affairs & Norwegian Embassy (New Delhi)
\nwith the patronage of Embassy of India, Rome<\/h6>\n
\nFebruary 6, 2017 | Attakkalari India Biennial, Bangalore (India) | Premiere<\/a>
\nJune 14-15, 2017 | Festival Fabbrica Europa – Teatro La Compagnia, Florence (Italy)<\/a>
\nJune 17-18, 2017 | Teatro Argentina, Rome (Italy)<\/a>
\nJune 24, 2017 | INTEATROFestival 39 – Teatro delle Muse, Ancona (Italy)<\/a>
\nJune 28, 2017 | Teatro Franco Parenti, Milan (Italy)<\/a>
\nJuly 2, 2017 | Teatro Il Maggiore, Verbania (Italy)<\/a>
\nAugust 5, 2017 | Guiyang Shiji Xingguang Theatre, Guiyang (China)<\/a>
\nDecember 23, 2017 | Bharatiya Vidya Bhavan Auditorium, Chennai (India)<\/a>
\nMarch 16, 2018 | National School of Drama, Delhi (India)<\/a>
\nMarch 21, 2018 | Jawahar Kala Kendra, Jaipur (India)<\/a>
\nSeptember 25, 2018 | Teatros del Canal, Madrid (Spain)<\/a>
\nSeptember 27, 2018 | LAVA Teatro, Valladolid (Spain)<\/a>
\nSeptember 29, 2018 | Auditorio Caja de Burgos, Burgos (Spain)<\/a><\/p>\n
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