{"id":17452,"date":"2019-01-08T09:56:31","date_gmt":"2019-01-08T09:56:31","guid":{"rendered":"https:\/\/fabbricaeuropa.net\/?p=17452"},"modified":"2019-01-08T09:56:31","modified_gmt":"2019-01-08T09:56:31","slug":"habill%c3%a9-deau-silvia-rampellieuforia","status":"publish","type":"post","link":"https:\/\/fabbricaeuropa.net\/en\/habill%c3%a9-deau-silvia-rampellieuforia\/","title":{"rendered":"Habill\u00e9 d&#8217;Eau \/ Silvia Rampelli<br>Euforia"},"content":{"rendered":"<p>Winner of 2018 Premio Ubu as the best dance show of the year<\/p>\n<p>&nbsp;<\/p>\n<p>I\u2019d like to remove words from fact.<br \/>\nThe fact is the body, absolute construction, closed in the matter, matter, questioning, evident even in absence of cognition, intention being awake.<br \/>\nSemblance, simulacrum.<\/p>\n<p>For many years I have been looking for a logical and existential passage that my work demands. I draw a rough parallel between the human condition of being thrown \u2013 the fall in the Time \u2013 and the theatrical machine, device that re-presents, by the arm of exposure to the World, the original condition of opening, foundation of every feeling, of sense.<\/p>\n<p>The project <strong>Euphoria<\/strong> will be developed in different sections. The first unfinished part was presented at Short Theatre Festival, in Rome, in September 2016. The whole project will be finally performed still in Rome, in India Theatre, in September 2017.<br \/>\nOriginal music. Three figures. Hypothesis: that senses give image to time.<br \/>\n<em>Silvia Rampelli<\/em><\/p>\n<p>&nbsp;<\/p>\n<h6><strong>Silvia Rampelli<\/strong> has a degree in Philosophy and since 1990 has explored the meaning of the performative presence, researching the nature of the action and focusing on the human figure as an aesthetic-cognitive object. In 2002 she founded <strong>Habill\u00e9 d\u2019eau<\/strong> with Alessandra Cristiani and Gianni Staropoli as light designer. Since then, Habill\u00e9 d\u2019eau produced: <em>Studio for Attis<\/em>, winner \u201cEnzimi Danza 2002 for creative originality\u201d; <em>Refettorio<\/em>, winner \u201cGeneration Scenario 2003\u201d, winner the \u201cAward for the specificity and originality of language and body techniques\u201d at the 2004 International Teatarfest of Sarajevo, and winner \u201cMovin\u2019 Up 2004\u201d, with the support of the Association for Young Italian Artists\u2019 Network; <em>Ragazzocane<\/em> created for the 37th Venice Biennale \u2013 International Theatre Festival, curated by Romeo Castellucci, 2005.<br \/>\nFrom 2006 Habill\u00e9 d\u2019eau focused its research on \u2018time\u2019 to brief works which culminated in <em>Stato Secondo<\/em>, winner of Pontedera Theatre production award \u201c4 Cantieri per Fabbrica Europa 2008\u201d.<br \/>\nIt develops parallel actions for non-theatrical locations, among others: <em>Camera<\/em> \u2013 contemporary Festival, Prato 07, and the project <em>L\u2019igiene<\/em> \u2013 Natura D\u00e8i Teatri, Parma 2010.<br \/>\nIn 2012 Habill\u00e9 d\u2019eau comes back to a theatrical creation: <em>Or<\/em>, produced by ZTL Pro in collaboration with Fondazione Romaeuropa \/ Palladium and Teatro di Roma. In 2013 produced <em>Courtesy of<\/em>, video project for the Malta Festival, Poznan. In 2014 produced <em>Strutture elementari dell\u2019azione<\/em>, with Romeo Castellucci and Alessandra Cristiani, project for Universit\u00e0 Roma Tre \u2013 Dipartimento Filosofia, Comunicazione e Spettacolo.<br \/>\nHabill\u00e9 d\u2019eau has presented its works in Italy, Bosnia, France, Poland and the United Stated.<\/h6>\n<p>&nbsp;<\/p>\n<h6>concept and direction: Silvia Rampelli<br \/>\ndance: Alessandra Cristiani, Eleonora Chiocchini, Valerio Sirna<br \/>\nlight design: Gianni Staropoli<br \/>\noriginal music: Tiago Felicetti, Charlie Pitts<br \/>\nquadrophonics: Daniel Bacalov<br \/>\nproduction: Habill\u00e9 d\u2019eau<br \/>\nco-production: Armunia\/Festival Inequilibrio, Fabbrica Europa 2017<br \/>\nsupport: Short Theatre, Angelo Mai, Angelo Mai, Company Blu \/ Sesto TRAM \u2013 Teatro di Residenza Artistica Multipla<\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Winner of 2018 Premio Ubu as the best dance show of the year &nbsp; I\u2019d like to remove words from fact. The fact is the body, absolute construction, closed in the matter, matter, questioning, evident even in absence of cognition, intention being awake. Semblance, simulacrum. For many years I have been looking for a logical [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17448,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-17452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/17452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=17452"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/17452\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/17448"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=17452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=17452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=17452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}