When Monday<\/strong> came is not only an intellectual endeavour with nature\u2019s rage, but also a deeply existential crisis that we are facing. What do we do now? The warnings have never been more apparent. We do not need more proof that something has gone terribly wrong. So, what are the possible human consequences of an encompassing fire? Merely destruction? A new possibility? Change? When there is a fire, there are ashes. In some cultures, ashes is a source of cleansing \u2013 a connection to another life. It represents nature in a changing situation. The challenge is to bring this fundamental condition of both destruction and new life into an aesthetic frame. And who or what is Monday? Just another day? The name of a child hence the future? But how can the devastating results of a fire be so tragic and beautiful at the same time? Part of the story is that tragedy is not the accident that occurs but the recognition that it is man\u2019s destiny. An act of hubris will be punished tragically. That is also the beauty of it all \u2013 we are talking about the art of performance since before the Greek mythologies.<\/p>\n <\/p>\n <\/p>\n Calendar<\/strong><\/p>\n January 30 – February 2, 2020 |\u00a0Dansens Hus, Oslo (Norway) – world premiere<\/span> <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" When Monday came is not only an intellectual endeavour with nature\u2019s rage, but also a deeply existential crisis that we are facing. What do we do now? The warnings have never been more apparent. We do not need more proof that something has gone terribly wrong. While driving through Australia Zero Visibility’s artistic director and […]<\/p>\n","protected":false},"author":2,"featured_media":22423,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-22430","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/22430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=22430"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/22430\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/22423"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=22430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=22430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=22430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWhile driving through Australia Zero Visibility’s artistic director and choreographer Ina Christel Johannessen<\/strong> asked herself: What happens to people when their environment burns down? What can possibly come out of a burning site? What kind of fundamental change is the destruction caused by fire representing in terms of human conditions? These are some of the questions that she and her dancers and artistic collaborators are investigating in this performance. It is not just a question of the philosophy of the matter but the real conditions \u2013 the factual impact of the burning itself \u2014 the vision, the sound, the smell. And, of course there is the body. But the body plays both an active and passive part. It can of course die but also escape, survive, make a difference, and even change the order of things within the course of events.<\/p>\nchoreography: Ina Christel Johannessen
\ncomposer: Tommy Jansen
\nscenography: \u00c5smund F\u00e6ravaag
\ndancers: Ole Willy Falkhaugen, Hugo Marmelada, Dorotea Saykaly, Camilla Spids\u00f8e, Ole Kristian Tangen, Line T\u00f8rmoen
\nmusician: Tommy Jansen
\ncostumes: Ina Christel Johannessen
\nlight design: Daniel Kolstad Gimle
\nsound: Morten Pettersen
\nexecutive producer: Kirsti Ulvestad
\nproduced by Zero Visibility Corp
\nco-produced by Dansens Hus, Oslo; La Briqueterie, Paris; Fabbrica Europa
\nZero Visibility Corp. is supported by Arts Council Norway<\/h6>\n
\nMarch 20, 2021 | Kungsbacka Teater (Sweden)<\/span>
\nSeptember 9-10, 2021 | Festival Fabbrica Europa – Teatro Studio, Scandicci<\/span><\/p>\n[photo: Yaniv Cohen]<\/h6>\n