\nROCK ROSE WOW<\/strong><\/p>\n
Based on real stories that happened a long time ago in a period of innocence, when as children we were disposed to do anything for the sake of attracting attention, we have arrived in a present where everything we were allowed has lost its garb of innocence. Rock Rose investigates this territory in order to translate in the body and on stage the \u201ceverything I can\u201d. Where the body duplicates, triplicates itself to narrate the fragile beauty and traces of a fallen innocence, hidden behind the need to be important, to be recognized here and now, to exist at least in the eyes of anyone looking on.<\/p>\n May 17, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence <\/p>\n Claudia Catarzi<\/strong> I have removed everything, put everything aside. I have not asked for support for creative, imaginative ideas or reality other than those existing. I have attempted to bring everything down to basics, to the minimum indispensably necessary to start out. I have found a body, my body, the instrument I possess, basically the most suitable one for this journey. I asked myself not to do but to react, to let things emerge, to inhibit any intentional action, thus finding myself throughout the piece thinking only of going ahead, as if along a pre-established track of which however only the apparent form is laid out, its shell, its own particular features.<\/p>\n May 16, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Firenze <\/p>\n Eleonora Chiocchini<\/strong> Fragilefrana stages remnant tales of an unwritten novel. A visual narration takes place in a non-linear space-time where characters undergo a process of crumbling and upheaval. They appear, disappear, weave invisible relationships, leave trails, echo one another and outline a world holding on to the ground which probably only exists when we close our eyes.<\/p>\n May 18, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence <\/p>\n Martina Francone<\/strong> The performance is the first study in a multi-disciplinary project inspired by Ovid\u2019s Metamorphoses. The text becomes the source through its expressive, symbolic force. The performers explore the possibility of a continuous change in dimension, modeling space and rapidly transforming material and meanings. Aria di Vetro offers an environment made of images, sounds and movements, and also of scents, colours and tastes in which all the elements mix together, alternating one with the other like reflections of light.<\/p>\n May 16, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n Francesca Foscarini What happens when the will abdicates and the body allows itself to be guided by movement itself? May 16, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n Jari Boldrini and Martina Platania \/ Compagnia Opus Ballet \u201cDo you play, don\u2019t you play\u2026?\u201d May 16, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n Leonardo Diana and Andrea Serrapiglio \/ CLAK – Versiliadanza Zona interattiva #1 is a \u201csite specific\u201d performance based on an experimental research project carried forward by the CLAK group together with Versiliadanza, on the interaction among various different artistic languages: dance, music, videos, lights and new technologies. May 17, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n Claudio Malangone \/ Borderline danza<\/strong> In an undefined space-time two dancers travel in an unstable balance between luminosity and its contrary, movement and stillness, sound and silence, presence and absence. Two dancers in unison, not merely synchronous, but able to weave infinite variations on the same movement, to break and retrieve symmetries continuously, one appearing with his double, one losing himself in the other between competition and sensuality.<\/p>\n May 18, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n David&theDreamers<\/strong> Multi.implications is a multi-media study on identity, a preliminary investigation on our own image, an observation of ourselves from outside in a kaleidoscopic maze of mirrors suggesting who we are and who we should be or would like to be. May 18, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n Silvia Mai<\/strong> At each moment in the dance I perceive an exact place, a special spot from which to observe and listen to what is happening; the act of \u201creceiving\u201d is fundamental: providing space for change. In this work, my intention is to plumb reflection on space, the physical place that embraces the dance, and the space that moves the dance, as well as focusing attention on the sound dimension: each place is also a sound landscape within which the action unfolds and each gesture produces the sound that sustains it, audible or non-audible; it is present, the inner quality of substance. Every variable, object, light, sound becomes part of the dance, informing and re-forming. In the shift of relationships the perception and quality of the action changes.<\/p>\n May 18, 2013<\/a> | Fabbrica Europa Teatro Cantiere Florida Florence<\/p>\n <\/p>\n Sharon Estacio more on The Avoidance Dance, in 3 episodes is a new chapter of bowl to the cat to the fairytale (The Avoidance Dance), a project attempting to frame the action (and inaction) of waiting, putting off, hesitating, in the face of what should be our duty: expressing ourselves and communicating our ideas and opinions. May 19, 2013<\/a> | Fabbrica Europa White Box oMA Florence<\/p>\n <\/p>\n![\"RockRoseWoW0_rid\"](\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2013\/04\/RockRoseWoW0_rid.jpg\")
<\/a><\/p>\nconcept and choreography: Daniele Ninarello
\nperformance: Annamaria Ajmone, Marta Ci\u00e0ppina, Daniele Ninarello
\ndrammaturgy: Carlotta Scioldo
\nco-production: Tanztendenz M\u00fcnchen, Fabbrica Europa, Lavanderia a Vapore, centro di eccellenza per la danza di Collegno, Balletto dell\u2019Esperia\/Palcoscenico Danza, Festival Interplay\/ Mosaico Danza, Electa Creative Arts
\nphoto: Andrea Macchia<\/h6>\n
\nSeptember 23, 2013<\/a> | Terni Festival Teatro Secci Terni
\nSeptember 26, 2013<\/a> | StArt Up Festival Taranto
\nNovember 22, 2013 <\/a>| Teatro San Domenico Crema<\/p>\n
\nQUI, ORA<\/strong><\/p>\n<\/a><\/p>\nby and with Claudia Catarzi
\nwith the support of\u00a0 Inteatro \/ Polverigi, Fondazione Teatro Metastasio Stabile della Toscana, Centro Artistico il Grattacielo<\/h6>\n
\nJune 29, 2013<\/a> | Inteatro Polverigi
\nAugust 31, 2013<\/a> | Festival Opera Galleggiante Teatro all\u2019Antica Sabbioneta
\nSeptember 7-8, 2013<\/a> | Short Theatre Rome
\nOctober 24, 2013<\/a> | Festival Internacional de Danza Contempor\u00e1nea de Canarias
\nDecember 13, 2013<\/a> | Nao Performing Festival Milan<\/p>\n
\n FRAGILEFRANA (EXCERPTS)<\/strong><\/a><\/p>\nby Eleonora Chiocchini
\nwith Eleonora Chiocchini, Daria Menichetti, Chiara Michelini
\nlights: Andrea Margarolo; music consulting: Luciano Zampar
\nscenes: Lucia Ortiz Oshiro, Mario Sirchio; costumes: Franca Di Lorenzo, Rita Petrone; video: GDeSIGN di Gilles Dubroca
\nco-production Sosta Palmizi, Fabbrica Europa, E45 Napoli Fringe Festival, with the support of Comune di Arezzo, Associazione Dance Gallery, Teatro San Materno Ascona<\/h6>\n
\nJune 22-23, 2013<\/a> | E45 Napoli Fringe Festival 2013 Teatro Galleria Toledo Naples<\/p>\n
\n ARIA DI VETRO<\/strong><\/p>\n<\/a><\/p>\nby and with: Martina Francone and Simone Tecla
\nchoreography: Martina Francone
\nmusic: Simone Tecla
\ncostumes: Francesca Zambernardi<\/h6>\n
\nCANTANDO SULLE OSSA <\/strong><\/p>\n<\/a><\/p>\nby and with Francesca Foscarini
\nlight design: Tiziano Ruggia
\ncostume: Federica Todesco
\nproduction ALDES and Kilowatt Festival
\nwith the support of CSC Casa della Danza \u2013 Bassano del Grappa
\ndeveloped within the choreographical research project CHOREOROAM 2010<\/h6>\n
\nWhen you abandon yourself to the pleasure of being lost in the vast emptiness of space?
\nYou seek the right position for your body, for that body of which only the bones, tinkling like glass, remain.<\/p>\n
\nCAP, PAS CAP\u2026? <\/strong><\/p>\n<\/a><\/p>\nby and with Jari Boldrini e Martina Platania
\nmusic by various composers
\nproduction: Opus Ballet 2012
\nThe activity of Opus Ballet company is supported by the Tuscany Region<\/h6>\n
\nA continuous instigation to take up the challenge, an interminable play among the parties\u2026 of looks, gestures, words and the magic of being able to play throughout life. The awareness and the desire to take risks and, together, to play it out forever.<\/p>\n
\nZONA INTERATTIVA #1<\/strong>
\n<\/a><\/p>\nby and with
\nLeonardo Diana and Andrea Serrapiglio<\/h6>\n
\nTwo bodies in movement in space, thanks to the use of particular controllers, generating music, images and colours.<\/p>\n
\nBRAINSTORMING STUDIO N\u00b02 <\/strong>
\n<\/a><\/p>\nconcept, choreography, direction: Claudio Malangone
\nauthors\/interpreters: Vincenzo Capasso, Claudio Malangone
\nmusic: Dario Casillo, J.S. Bach
\nvideo: Ugo Petillo; light design: Francesco Ferrigno
\ntexts: Federica Bruno, Cesare d\u2019Arco, Marco Di Gregorio, Cristina Mazzaccaro
\nproduction: Borderline Danza 2012, with the support of MIBAC, Regione Campania<\/h6>\n
\n MULTI.IMPLICATIONS<\/strong><\/a><\/p>\nby Collettivo David&theDreamers
\nwith Elita Cannata, Veronica Cornacchini, Marta Capaccioli
\nvisual arts: David Hartono
\nmusic: Francis Ciborio<\/h6>\n
\nA crowded universe of identities identical to and different from themselves.
\nA journey setting out from an unsubstantiated certainty of the identity from which we find ourselves suspended, to which we cling.<\/p>\n
\n RAKU<\/strong><\/p>\n<\/a><\/p>\nby and with Silvia Mai
\nvoice: Chiara orefice
\nlight design: Enrico Fabris
\nwinner of GD’A Veneto 2012
\nwith the support of Fondamenta Nuove, Venezia<\/h6>\n
\nMORE ON THE AVOIDANCE DANCE, IN 3 EPISODES<\/strong><\/p>\n<\/a><\/p>\nchoreographies and performance: Sharon Estacio
\nmusic: Maps & Atlases
\nin co-production with Ariella Vidach AiEP and DiD studio
\ncarried out within the residence project NAOCREA and with the support of Comune di Milano – Settore Spettacolo Moda e Design<\/h6>\n
\nThe performer\u2019s action is exactly that: avoiding the space in which she should perform, and when she eventually comes on stage she never turns directly to the audience. She wonders what exactly she is trying to say, and asks the audience what they expect of her.<\/p>\n