{"id":26286,"date":"2021-10-19T09:46:53","date_gmt":"2021-10-19T09:46:53","guid":{"rendered":"https:\/\/fabbricaeuropa.net\/?p=26286"},"modified":"2023-06-06T14:57:24","modified_gmt":"2023-06-06T14:57:24","slug":"collettivo-mine-living-like-i-know-i-m-gonna-die","status":"publish","type":"post","link":"https:\/\/fabbricaeuropa.net\/en\/collettivo-mine-living-like-i-know-i-m-gonna-die\/","title":{"rendered":"Collettivo MINE<br>Living like I know I\u2019m gonna die"},"content":{"rendered":"<p><strong>Living like I know I\u2019m gonna die<\/strong> by <strong>Collettivo MINE<\/strong> is part of \u201cSwans never die\u201d, a project that invites some young artists to revisit in a contemporary way \u201cThe Dying Swan\u201d, originally choreographed by Michel Fokine for Anna Pavlova in 1905.<\/p>\n<p><em>While we speak, time will have escaped greedily.<\/em><br \/><em>Grab this day.<\/em><br \/>Horatius<\/p>\n<p><strong>Living like I know I\u2019m gonna die<\/strong>\u00a0is a dance for five bodies.<br \/>Two couples and a single one form a group in reciprocity, a single body made by linked arms unfolds in a network of lightning-fast encounters that cross the space with a progressive and unavoidable rhythm.<br \/>The sudden rhythmic character articulates a continuous, intensely dense and intrinsically fleeting movement, destined to change, dissolve and end challenging time and its ephemeral nature.<br \/>In this way Pavlova danced the dying swan for Fokine, like a real fight against death, embodying a constant symbol of the transience of existence and of the life\u2019s things.<\/p>\n<p><strong>Collettivo MINE<\/strong>\u00a0is the result of the artistic encounter between Francesco Saverio Cavaliere, Siro Guglielmi, Fabio Novembrini, Roberta Racis, Silvia Sisto.<br \/>MINE is a collective experiment of creation that aims to carry out a research work focused on sharing practices and languages.<\/p>\n<h6>choreography, invention and dance: Francesco Saverio Cavaliere, Fabio Novembrini, Siro Guglielmi, Roberta Racis, Silvia Sisto<br \/>sound: F. De Isabella<br \/>styling: Ettore Lombardi<br \/>photos and video: Tonia Laterza<br \/>production: Fabbrica Europa, Operaestate Festival Veneto and Centro per la Scena Contemporanea CSC<br \/><em>Living like I know I\u2019m gonna die<\/em>\u00a0is part of the \u201cSwans never die\u201d project, with the support of Lavanderia a Vapore\/Piemonte dal Vivo, Operaestate Festival Veneto and Centro per la Scena Contemporanea CSC, Bassano del Grappa, Triennale Milano, Teatro Brescia, Torinodanza Festival, Festival Bolzano Danza; \u201cMemory in Motion. Re-Membering Dance History (Mnemedance)\u201d \u2013 Universit\u00e0 Ca\u2019 Foscari Venezia; \u00c9cole Universitaire de Recherche CREATES and Centre Transdisciplinaire d\u2019\u00c9pist\u00e9mologie de la Litt\u00e9rature et des Arts Vivants, Universit\u00e9 C\u00f4te d\u2019Azur and with the scientific coordination by Susanne Franco<\/h6>\n<p><strong>Calendar<\/strong><\/p>\n<p><span style=\"color: #cb3734;\">August 23, 2021 | Operaestate Festival Veneto &#8211; Sala Jacopo da Ponte, Bassano del Grappa (Vicenza)<\/span><br \/><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/collettivo-mine-living\/\">September 22, 2021 | Festival Fabbrica Europa \u2013 Teatro Cantiere Florida, Florence<\/a><br \/><span style=\"color: #cb3734;\">November 25, 2021 | Fondazione Nazionale della Danza Aterballetto &#8211; Fonderia, Reggio Emilia<\/span><br \/><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/collettivo-mine-living\/\">September 22, 2021 | Festival Fabbrica Europa \u2013 Teatro Cantiere Florida, Florence<\/a><br \/><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/collettivo-mine-living-ruvo\/\">July 7, 2023 | Le danzatrici en plein air, Ruvo di Puglia<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>Photogallery<\/strong><\/p>\n<div id='thumbGallery_1'\n             class='thumbGallery'\n\n             data-thumbGallery='true'\n             data-nav_effect='fade'\n             data-nav_delay='200'\n             data-nav_timing='800'\n             data-nav_show='false'\n             data-thumb_fit='false'\n             data-nav_delay_inverse='1'\n             data-nav_pagination='4'\n             data-gallery_effect='fade'\n             data-gallery_fullscreenw='90%'\n             data-gallery_fullscreenh='100%'\n             data-gallery_cover=''\n             data-thumb_ratio='4\/3'\n\n\n             style='display:none'\n             ><img id='tg-img-1' src='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/1_MINE_Living-like-I-know-300x199.jpg' data-highres='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/1_MINE_Living-like-I-know.jpg'  data-caption=''><img id='tg-img-2' src='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/2_MINE_Living-like-I-know-300x199.jpg' data-highres='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/2_MINE_Living-like-I-know.jpg'  data-caption=''><img id='tg-img-3' src='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/3_MINE_Living-like-I-know-300x199.jpg' data-highres='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/3_MINE_Living-like-I-know.jpg'  data-caption=''><img id='tg-img-4' src='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/4_MINE_Living-like-I-know-300x195.jpg' data-highres='https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2021\/10\/4_MINE_Living-like-I-know.jpg'  data-caption=''><\/div>\n<h6>[photos: Monia Pavoni]<\/h6>\n\n\n<p><br><br><br><br><br><br><br><br><br><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Living like I know I\u2019m gonna die by Collettivo MINE is part of \u201cSwans never die\u201d, a project that invites some young artists to revisit in a contemporary way \u201cThe Dying Swan\u201d, originally choreographed by Michel Fokine for Anna Pavlova in 1905. While we speak, time will have escaped greedily.Grab this day.Horatius Living like I [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":26278,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-26286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/26286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=26286"}],"version-history":[{"count":3,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/26286\/revisions"}],"predecessor-version":[{"id":37262,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/26286\/revisions\/37262"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/26278"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=26286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=26286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=26286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}