{"id":29576,"date":"2020-07-19T13:00:36","date_gmt":"2020-07-19T13:00:36","guid":{"rendered":"https:\/\/fabbricaeuropa.net\/?p=29576"},"modified":"2023-02-28T10:20:51","modified_gmt":"2023-02-28T10:20:51","slug":"silvia-calderoni-ilenia-caleoperformative-practices-workshop","status":"publish","type":"post","link":"https:\/\/fabbricaeuropa.net\/en\/silvia-calderoni-ilenia-caleoperformative-practices-workshop\/","title":{"rendered":"Silvia Calderoni | Ilenia Caleo<br>Performative practices workshop"},"content":{"rendered":"<h3>GLIMPSE. SPARKLES GLIMMERS SPECTRA AND OTHER APPARITIONS<\/h3>\n<p><strong>4 \u2013 6 NOVEMBER 2022<\/strong><br \/>\n<strong> PARC Performing Arts Research Centre \u00b7 Florence<\/strong><\/p>\n<p>within the <strong>Oltre le mura \/ Beyond the walls<\/strong> project<\/p>\n<p><strong>The workshop<\/strong><br \/>\nWriting about the present, giving new bodies to the future within the apocalypse.<br \/>\nDuring the three days of the workshop we will simultaneously activate the body and the concrete imagination to study how they act on each other. We will experiment practices of improvisation and composition: physical actions, repetition, sweat, relationship with other bodies, human and non-human, and with the surrounding space.<br \/>\nThrough the expanded use of the body, of listening and perception we will try other languages, different from the usual ones, to break the consolidated perceptions that organize the inside and the outside, the frame of the representation, the consequentiality. The workshop is a space to do research together, and to train the ability of composition and scenic writing. Who inhabits the scene is the author.<br \/>\nWe are interested in the boundary between the sensitive and the imperceptible. On this threshold, we will work on the presence of the performer, on the variation of his\/her intensity, but also on his\/her precision.<br \/>\nWe will work on action and occurrence, on instant dramaturgies, on the memory of the gesture. Making the unexpected happen, training the impossible. The scene as a place-glimpse from which to see.<br \/>\n&#8211; Silvia Calderoni, Ilenia Caleo<\/p>\n<p><strong>Who it is for<\/strong><br \/>\nThe workshop is open to performers, experimenters of languages, dancers, and to those who wish to experience performative practices.<\/p>\n<p><strong>Where<\/strong><br \/>\nPARC Performing Arts Research Centre<br \/>\nPiazzale delle Cascine 4\/5\/7, Florence<\/p>\n<p><strong>When<\/strong><br \/>\nFri November 4: from 14:30 to 19:00<br \/>\nSat November 5: from 11:00 to 18:00<br \/>\nSun November 6: from 10:00 to 14:00<\/p>\n<p><strong>How to register<\/strong><br \/>\nTo participate in the workshop, send by Thursday 20 October<br \/>\n&#8211; a biography \/ what you practiced, with whom, what you want to do<br \/>\n&#8211; a photo of you among other people<br \/>\nto siproducevisioni@libero.it<\/p>\n<p><strong>Fee<\/strong><br \/>\n50\u20ac which include the ticket for<br \/>\n<a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/silvia-calderoni-ilenia-caleo-the-present-is-not-enough\/\"><em>The present is not enough<\/em><\/a><br \/>\n<a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/silvia-calderoni-ilenia-caleo-the-present-is-not-enough\/\"> by Silvia Calderoni and Ilenia Caleo<\/a><br \/>\nOctober 26 and 27 \u00b7 h 21:00<br \/>\nTenax Theatre \u00b7 Via Pratese 46, Florence<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Silvia Calderoni<\/strong> is an actress and performer. She trained artistically from a very young age with choreographer Monica Francia and with the Teatro della Valdoca company, performing in several productions including <em>Paesaggio con fratello rotto<\/em>. Since 2006, she has been an active member of the Motus company and has performed in many shows including <em>Rumore Rosa<\/em>,<em>\u202fA place<\/em>,\u202f<em>ICS \u2013 racconti crudeli della giovinezza<\/em>,<em>\u202fCrac<\/em>,\u202f<em>Let the sunshine in<\/em>,\u202f<em>Too-late<\/em>, <em>Iovadovia<\/em>,\u202f<em>Tre atti pubblici<\/em>,\u202f<em>Alexis. Una tragedia greca<\/em>,\u202f<em>nella tempesta<\/em>,\u202f<em>Caliban Cannibal<\/em>,\u202f<em>King Arthur<\/em>,\u202f<em>Tutto brucia<\/em>, presented in numerous Italian and international festivals. She is the protagonist of <em>The Plot is the Revolution<\/em> alongside Judith Malina, historical founder of the Living Theatre. Since 2015 she has been on tour in the main international theatres and festivals with her solo <em>MDLSX<\/em>, for which she has collaborated on the dramaturgy together with Daniela Nicol\u00f2. In 2022 she will be on stage again with Valdoca with <em>Enigma. Requiem for Pinocchio<\/em>. Ubu Award 2009 as best actress under 30, she is Kaspar in <em>La leggenda di Kaspar Hauser<\/em>, a cult film directed by Davide Manuli (2012), and then in<em> Last Words<\/em> (2020) by Jonathan Nossiter with Nick Nolte, Kalipha Touray, Charlotte Rampling, Stellan Skarsgard, Alba Rohrwacher, in the <em>Romolus<\/em> Sky series, directed by Matteo Rovere and in <em>Non mi uccidere<\/em> (2021) by Andrea De Sica.<br \/>\nShe is an associate artist of the Queering Platform of the Kowloon Cultural District of Hong Kong.<\/p>\n<p><strong>Ilenia Caleo<\/strong> is a performer, activist and researcher. Since 2000 she has been working as an actress, performer and dramaturg in the contemporary scene, collaborating with various companies and directors, including Motus, Lisa Ferlazzo Natoli, Davide Iodice. She is a philosopher by training, she completed a research doctorate in performance studies and political philosophy at the Universit\u00e0 La Sapienza in Rome. Her research focuses on corporeality, feminist epistemologies, experimentation in the performing arts, new institutions and forms of cultural work. She is a researcher at the IUAV in Venice and coordinator of the Arts Module of the Studies and Gender Policies Master at the Roma Tre University, and collaborates with the research group of the five-year project \u201cINCOMMON. In praise of community. Shared creativity in arts and politics in Italy (1959-1979)\u201d, ERC Starting Grant. She is the author of the volume Performance, materia, affetti. Una cartografia femminista, Bulzoni 2021 and co-edited <em>In fiamme. La performance nello spazio delle lotte 1967\/1979<\/em>, b-r-u-n-o 2021.<br \/>\nShe grew up politically and artistically in the scene of underground counter-cultures and social centers and is an activist of the Teatro Valle Occupato and in the movements of the commons and queer-feminists.<\/p>\n<p>&nbsp;<\/p>\n<h6><strong>Oltre le mura \/ Beyond the walls<\/strong> is a project by Fondazione Fabbrica Europa aimed at activating some of the Florence peripheral contexts through performative actions at an international and local level that focus on the concepts of &#8220;body&#8221;, &#8220;sound&#8221;, &#8220;environment\u201d,\u201ccommunity \u201d.<\/h6>\n<h6>The project is part of<\/h6>\n<p><a href=\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2022\/10\/AutunnoFiorentino_2022.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-29383\" alt=\"AutunnoFiorentino_2022\" src=\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2022\/10\/AutunnoFiorentino_2022.png\" width=\"344\" height=\"53\" srcset=\"https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2022\/10\/AutunnoFiorentino_2022.png 574w, https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2022\/10\/AutunnoFiorentino_2022-300x45.png 300w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<h6>Registration open until 20 October 2022 for the workshop at PARC | 4 \u2013 6 November 2022<\/h6>\n","protected":false},"author":2,"featured_media":29413,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-29576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/29576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=29576"}],"version-history":[{"count":1,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/29576\/revisions"}],"predecessor-version":[{"id":36056,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/29576\/revisions\/36056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/29413"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=29576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=29576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=29576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}