{"id":39649,"date":"2022-07-21T16:00:00","date_gmt":"2022-07-21T16:00:00","guid":{"rendered":"https:\/\/fabbricaeuropa.net\/?p=39649"},"modified":"2023-12-12T11:30:36","modified_gmt":"2023-12-12T11:30:36","slug":"activating-gaze-workshop","status":"publish","type":"post","link":"https:\/\/fabbricaeuropa.net\/en\/activating-gaze-workshop\/","title":{"rendered":"Activating gaze<br>Workshop by Roberta Racis and Fabio Novembrini"},"content":{"rendered":"<p><strong>When <\/strong>October 25-31, 2023<\/p>\n<p><strong>Where <\/strong>Florence<\/p>\n<p><strong>Schedule and locations<\/strong> October 25-26-27, h 16-19 \u2013 Sonoria (Via Chiusi 3)<br>October 28, h 15-18 \u2013 Limonaia Villa Strozzi (Via Pisana 77)<br>October 29, h 10-17 with final performance from h 18 \u2013 Limonaia Villa Strozzi (Via Pisana 77)<br>October 30, h 16-18, feedback meeting \u2013 Limonaia Villa Strozzi (Via Pisana 77)&nbsp;<br>October 31, h 18, final performance \u2013 PARC (Piazzale delle Cascine 7)<\/p>\n<p><strong>Application deadline <\/strong>October 20, 2023<\/p>\n<p><strong>Who it is for <\/strong>professionals and amateurs<\/p>\n<p><strong>How to apply <\/strong>by writing to fabbricaeuropa.workshop@gmail.com<\/p>\n\n\n<p>Focusing their artistic exchange on<em> Female Gaze<\/em>&nbsp;and&nbsp;<em>Male Gaze<\/em>, choreographers and dancers <strong>Roberta Racis&nbsp;<\/strong>and&nbsp;<strong>Fabio Novembrini <\/strong>investigate questions of the spectator\u2019s gaze and visual pleasure&nbsp;in relation to artistic creation and in relation to the gaze&nbsp;of the assumed audience and aesthetic emotion, considerations and questions they share through their artistic practices and current creations.<br><em>Activating gaze<\/em> is a project, that originated within the <em>CRISOL \u2013 creative processes<\/em> project, which aims at creating a device in which to exchange experiences and share practices between artists.<\/p>\n\n\n<p><strong>Roberta Racis <\/strong>is a dancer and choreographer. From 2015 to 2018 she worked for the Balletto di Roma, directed by Roberto Casarotto, dancing in productions by choreographers such as Alessandro Sciarroni, Chris Haring (Liquid Loft), Itamar Serussi Sahar (Batsheva dance company), Paolo Mangiola (Wayne McGregor), Francesca Pennini, Giorgia Nardin. In 2017 she created the solo <em>Borders <\/em>and became part of the European project \u201cPerforming Gender\u201d promoted by Yorkshire Dance Leeds, City of Women a Lubiana, Paso a 2 Certamen Coreografico di Madrid, Theaterfestival Boulevard\u2019s Hertogenbosch, CSC di Bassano and Gender Bender Festival<strong>. <\/strong>Her choreographic work <em>Shelter<\/em>, created with Fabio Novembrini, was selected for the Vetrina della giovane danza d\u2019autore di Anticorpi Xl Network di Ravenna. Since 2018 she has collaborated with Alessandro Sciarroni for the <em>Augusto <\/em>project and <em>Turning Orlando<\/em>&#8216;s version. She also collaborates with the choreographers Enzo Cosimi and Francesco Marilungo. In 2019 she is among the founders, authors and performers of the Collettivo Mine, whose first creation, <em>Esercizi per un manifesto poetico<\/em>, won the 2019 DNAppunti coreografici.<\/p>\n<p><strong>Fabio Novembrini<\/strong> trained at the Scuola del Balletto di Toscana in Florence. In 2015 he was selected for the European <em>Dancing Museums<\/em> project, dancing his own creations in the most important European museums. In the same year he became one of the dancers of the Balletto di Roma. In 2015 he created his first work, <em>Shelter<\/em>, together with Roberta Racis. In 2017 he became a Dance Well \u2013 movement research for Parkinson teacher. In 2018 he collaborated with the choreographer Sang Jijia in the production <em>Re-Mark<\/em> and was selected as a performer for &#8220;The Cleaner&#8221;, the exhibition of works by Marina Abramovic at Palazzo Strozzi in Florence. He also collaborated with Collettivo Cinetico in <em>How to destroy your dance<\/em> and with Masako Matsushita in <em>Trusted Devices<\/em>. In 2019 he is the Italian artist chosen for Duo \u00e0 trois voix \/ Duetto a tre voci, a research and creation project in partnership between CSC \u2013 Bassano del Grappa and Circuit-Est centre chor\u00e9graphique Montr\u00e9al. In 2019 his solo <em>When I was in Stoccolma<\/em>, selected by the Anticorpi XL network, was presented at the CCDC Dance Festival in Hong Kong. He is one of the members of Collettivo Mine.<\/p>\n\n\n<h6>This activity is part of <b><span style=\"color: #000000;\">Oltre le mura \/ Beyond the walls<\/span><\/b>, a project by Fondazione Fabbrica Europa supported by<\/h6>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2023\/08\/2023_AutunnoFiorentino.jpg\"><img decoding=\"async\" src=\"https:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2023\/08\/2023_AutunnoFiorentino.jpg\" alt=\"AutunnoFiorentino_2022\" class=\"wp-image-29383\"><\/a><\/figure>\n\n\n\n<p><br><br><\/p>\n\n\n\n<h6>photo: Monia Pavoni, detail<\/h6>\n\n\n\n<p><br><br><br><br><br><br><br><br><br><br><br><\/p>\n\n\n\n<p><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>October 25 &#8211; 31, 2023<\/p>\n","protected":false},"author":2,"featured_media":40742,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[1896],"class_list":["post-39649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en","tag-oltre-le-mura-beyond-the-walls"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/39649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=39649"}],"version-history":[{"count":17,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/39649\/revisions"}],"predecessor-version":[{"id":40746,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/39649\/revisions\/40746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/40742"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=39649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=39649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=39649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}