{"id":4519,"date":"2013-07-02T10:40:50","date_gmt":"2013-07-02T10:40:50","guid":{"rendered":"https:\/\/fabbricaeuropa.net\/?p=4519"},"modified":"2014-06-06T12:07:35","modified_gmt":"2014-06-06T12:07:35","slug":"focus-on-eastern-theatre","status":"publish","type":"post","link":"https:\/\/fabbricaeuropa.net\/en\/focus-on-eastern-theatre\/","title":{"rendered":"Focus on Balkan theatre"},"content":{"rendered":"<p><strong>SERBIA | SLOVENIA | BOSNIA | ROMANIA<\/strong><br \/>\n<strong>Fabbrica Europa 2014<\/strong><br \/>\n<strong>XXI edition<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>In the Balkans, the twentieth century was a time of new start-outs. And it is symptomatic that one short century &#8211; there on the Adriatic<br \/>\n(a sort of inland lake in our historical memory) &#8211; began and ended in Sarajevo: a pistol shot became a long cycle of dramatic wars.<br \/>\nThat was the twentieth century!<br \/>\nA century of new start-outs, for after the shot in Sarajevo had toppled the world into its first global war, the West tried to start again<br \/>\nfrom scratch &#8211; yet it always ended up entangled in horrors, conflicts, differences without further soluble. Until the last war, which destroyed<br \/>\nthe illusion of irregular socialism and which many saw as the final act of a disintegration commencing with the fall of<br \/>\nthe Hapsburg empire. And we had to set out once more from there: from the bloody ruins of shattered illusions: both the Empire&#8217;s<br \/>\naristocratic\/enlightened illusion and Tito&#8217;s popular\/bureaucratic one. New starts: that is the keynote of the lesson that reaches us<br \/>\ntoday from ex-Yugoslavia.<br \/>\nAlthough no-one can now claim to have lived through the whole, almost century-long travail, unquestionably this element<br \/>\n(the mandate to overcome a twentieth-century mind-set) is solidly grounded in the collective imagination of the Balkans. First and<br \/>\nforemost, it is a vast territory of <em>young<\/em> nations, forced by this very reason to fashion their new identities on the basis of<br \/>\ndistant memories. This explains the vitality we have seen in Balkan culture for at least the past ten years. Tradition and new creation:<br \/>\nfor them, this is practically an obligation! And in this umpteenth start-out the theatre plays an essential role: do you know anything more<br \/>\ntraditional and at the same time more open to new creativity than the theatre? Do you know anything stronger than the theatre<br \/>\nin taking root in common consciousness to construct new imagination spaces? No, of course not. That is why observation of the Balkan<br \/>\ntheatre, today, leads us directly onto the crossroads where the &#8220;old&#8221; twentieth century starts out for the future.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MEETING <\/strong><\/p>\n<p><strong>Sat 10 May<\/strong> h 17:00 | Stazione Leopolda, Florence<br \/>\nin collaboration with Oxfam Italia<\/p>\n<p><strong>Balkans: past and present through the theatre and international cooperation<\/strong><br \/>\nwith Giorgio Ursini Ur\u0161i\u010d, theatre critic who lives and works in Sarajevo,<br \/>\nSorinel Ghetau, director of Oxfam Italy for international cooperation in the Balkans, and and Tomi Janezic, theatre director (Serbian National Theatre).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>THE SHOWS<br \/>\n<\/strong><\/p>\n<table width=\"422\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"140\"><\/td>\n<td valign=\"top\" width=\"340\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\" valign=\"top\" width=\"140\"><\/td>\n<td valign=\"top\" width=\"340\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"140\"><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/the-seagull\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4339\" alt=\"GALEB_150\" src=\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2014\/04\/GALEB_150.jpg\" width=\"150\" height=\"150\" \/><\/a><\/td>\n<td valign=\"top\" width=\"340\">May 9 &#8211; 11 |<br \/>\nStazione Leopolda, Florence<br \/>\n<strong>Serbian<\/strong> <span style=\"color: #000000;\"><strong>National Theatre<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> <strong>THE SEAGULL<\/strong><\/span> national premi\u00e8reTheatre performances can be bad and good, sometimes exciting, but they rarely develop<br \/>\ninto something we could call a unique experience&#8230; <a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/the-seagull\/\" target=\"_blank\">More<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"140\"><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/slovensko-mladinsko-gledalisce-ljubljana\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4344\" alt=\"Slovensko_150\" src=\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2014\/04\/Slovensko_150.jpg\" width=\"150\" height=\"150\" \/><\/a><\/td>\n<td valign=\"top\" width=\"340\">May 10 &#8211; 11 |<br \/>\nTeatro Cantiere Florida, Florence<br \/>\n<span style=\"color: #000000;\"><strong>Slovensko Mladinsko Gledali\u0161\u010de &#8211; Ljubljana<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> <strong> DAMNED BE THE TRAITOR OF HIS HOMELAND! <\/strong><\/span>national\u00a0premi\u00e8reThis performance of Oliver Frljic attempts, through the inflation of death, through the incessant<br \/>\nrepetition of the unrepeatable, to emphasize a theatre mechanism that always remains a representation<br \/>\nof a certain outside reality&#8230; <a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/slovensko-mladinsko-gledalisce-ljubljana\/\" target=\"_blank\">More<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"140\"><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/diary-of-a-madman\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4364\" alt=\"Bucarest_150\" src=\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2014\/04\/Bucarest_150.jpg\" width=\"150\" height=\"150\" \/><\/a><\/td>\n<td valign=\"top\" width=\"340\">May 15 &#8211; 16 |<br \/>\nTeatro Cantiere Florida, Florence<br \/>\n<strong>Marius Manole \/ Alexander Balanescu \/ Felix Alexa<\/strong><br \/>\n<strong>DIARY OF A MADMAN<\/strong> national premi\u00e8reDiary of a Madman is an unique performance, in which humour and drama blend together<br \/>\nalong with madness, which creates parallel worlds, taking over the main character&#8217;s mind, tormented by sadness and frustration&#8230;. <a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/diary-of-a-madman\/\" target=\"_blank\">More<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"140\"><a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/helvers-night\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4368\" alt=\"Helver 150\" src=\"http:\/\/fabbricaeuropa.net\/wp-content\/uploads\/2014\/04\/Helver-150.jpg\" width=\"150\" height=\"150\" \/><\/a><\/td>\n<td valign=\"top\" width=\"340\">May 17 &#8211; 18 |<br \/>\nStazione Leopolda, Florence<br \/>\n<strong>Kamerni Teatar &#8217;55 Sarajevo<br \/>\n<\/strong><strong>HELVER&#8217;S NIGHT<\/strong><strong><br \/>\n<\/strong>In an unnamed city, in an anonymous European country, Helver and Carla are hiding. As a<br \/>\ncivil war rages outside, they know that is only a matter of time before they are found&#8230; <a href=\"https:\/\/fabbricaeuropa.net\/en\/events\/helvers-night\/\" target=\"_blank\">More<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h6>Tickets are available on <a href=\"http:\/\/www.vivaticket.it\" target=\"_blank\" rel=\"noopener\">www.vivaticket.it<\/a> and\u00a0and at sale points <a href=\"http:\/\/www.vivaticket.it\" target=\"_blank\" rel=\"noopener\">Vivaticket<\/a><\/h6>\n<table width=\"422\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"140\"><\/td>\n<td valign=\"top\" width=\"340\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Meeting and performances<\/p>\n","protected":false},"author":2,"featured_media":3993,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[1588],"class_list":["post-4519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en","tag-festival-fabbrica-europa-2014"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/4519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=4519"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/4519\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/3993"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=4519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=4519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=4519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}