After more than four years of work across nine countries in Europe and Asia on Die Like a Country<\/em>, a foundational text by Dimitris Dimitriadis, Gemma Hansson Carbone<\/em> continues her journey of research into Dimitriadis\u2019 work, exploring the power of words and voice as tools of evocation and invocation.<\/p>\n Cassandra\u2019s prophecy becomes an announcement: Cassandra is no longer the prophetess of an unheard future, but the voice and body of a radically new present. This reversal lies at the heart of the creation of Il Vangelo di Cassandra<\/strong> (The Gospel according to Cassandra), which unfolds as an immersive experience where poetic language and movement merge to explore universal, human, and political themes of transformation and desire.<\/p>\n Through circular sequences seeking new gravitational planes and ancient gestural formulas, Gloria Dorliguzzo and Gemma Hansson Carbone pursue a physicality that oscillates between disbalances and chiasms, expressing the tension between genesis and destruction, between eros and negation, between past and present time. Cassandra\u2019s movements become \u201clogos,\u201d reflecting Dimitriadis\u2019 semantic revolution that transforms her prophetic, misunderstood, and incomprehensible voice into a divine, creative, and erotic verb.<\/p>\n The scenography, curated by Alessandro Panzavolta and Francesco Tedde, is designed as an open and immersive structure, where Cassandra and the audience become inhabitants of a magical place \u2013 the World of Now \u2013 where the sun\u2019s orbits write a new alphabet on broken mirrors, where the skeleton of the past becomes a new snakeskin, and where myth and visions of the future converge, celebrating the power of creation and freedom.<\/p>\n <\/p>\n <\/p>\n September 9, 2025 | Artificerie Almagi\u00e0, Ravenna – preview<\/span> <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" After more than four years of work across nine countries in Europe and Asia on Die Like a Country, a foundational text by Dimitris Dimitriadis, Gemma Hansson Carbone continues her journey of research into Dimitriadis\u2019 work, exploring the power of words and voice as tools of evocation and invocation. Cassandra\u2019s prophecy becomes an announcement: Cassandra […]<\/p>\n","protected":false},"author":2,"featured_media":48780,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-48794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/48794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=48794"}],"version-history":[{"count":9,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/48794\/revisions"}],"predecessor-version":[{"id":49213,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/48794\/revisions\/49213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/48780"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=48794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=48794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=48794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Gemma Hansson Carbone<\/strong> is an Italian-Swedish performer and director who has developed her artistic training between Italy, Sweden and the UK. She has met and worked with masters such as Theodoros Terzopoulos, Chiara Guidi, Romeo Castellucci, Michail Marmarinos, Rodrigo Garcia, Tomi Jane\u017ei\u010d, Pavol Liska and Kelly Copper (Nature Theater of Oklahoma), Julie Stanzak, Dead Center and Elli Papakonstantinou. In 2015 she founded the Naprawski company in Gothenburg for which she directed YOU ARE HERE (so don\u2019t take things so seriously)<\/em> which won the Italian call Movin\u2019Up. In 2017 she debuted with her second direction, GUL \u2013 uno sparo nel buio<\/em>. Since 2018 she has started collaborating with the Stadsteatern of Gothenburg where she worked alongside the artistic director Pontus Stensh\u00e4ll as assistant director. In 2019, with Riccardo Festa, she created TU ovvero chi \u00e8 questa stronza?<\/em>, a show based on the novel Melampus<\/em> by Ennio Flaiano and Federico Fellini\u2019s masterpiece \u201c8 e \u00bd\u201d. She collaborates as an actress and dramaturg with the international company ODC Ensemble directed by Greek director Elli Papakonstantinou. In 2022 and 2023 she was resident director for Eleusis 2023 \u2013 Capital of Culture.<\/h6>\n
The Gospel according to Cassandra
\nannonciation g\u00e9n\u00e9sique<\/em>
\nwritten by Dimitris Dimitriadis
\ntranslated by Gilda Tentorio
\nby and with Gemma Hansson Carbone
\nmovement director: Gloria Dorliguzzo
\nlight and scene: Alessandro Panzavolta
\ntechnomage: Francesco Tedde
\ncostume: Johanna Invrea and Damiano Bagli
\npoet: Michele Montanari
\ncurator: Ilenia Carrone
\norganization and promotion: Veronica Arietto
\nproduction: Naprawski
\nco-production: Fabbrica Europa
\nsupported by PARC Performing Arts Research Centre, Olinda \u2013 Teatro La Cucina, Antropotopia, Ortographe, 42zone Hub, Nerval Teatro<\/h6>\n
\n
\nCalendar<\/strong><\/p>\n
\nOctober 7-8, 2025 | Fabbrica Europa \u2013 Semiottagono delle Murate, Florence – premiere<\/a>
\nMarch 10-12, 2026 | Ravenna Teatro \u2013 Teatro Rasi, Ravenna<\/a>
\nMarch 21, 2026 | Spazio Rossellini, Rome<\/a>
\n
\n <\/p>\nphoto (detail): Monia Pavoni<\/h6>\n
\n <\/p>\n
\n <\/p>\n