May 8 – 10 h 19:00<\/strong> <\/p>\n Armine, Sister<\/em> is a piece dedicated to Armenian history and culture and to the Armenian genocide.<\/p>\n Originally, Armine, Sister\u00a0<\/em>was intended as a s\u00e9ance in which it is not us calling the departed, but the spirits of the dead calling to have a trace of the past revealed, made visible, unearthed. The title recalls the first two words of a letter with no legible address, doomed to drift around in time and space.<\/p>\n In light of the post-Auschwitz future that Theodor W. Adorno envisaged for poetry, art and education, we would like to ask: \u201cIs there a chance that the 21st century will not become the century of ignorance?\u201d In our new piece we ask about Europe, convinced that Europe is a question \u2013 one about history, identity, dignity. One of the main ideas of\u00a0Armine, Sister\u00a0is to tackle the issue of historic taboos and lies as opposed to a duty to witness.<\/p>\n When working on the performance, we often invoked Paul Celan\u2019s\u00a0Death Fugue<\/em>, in which the dreams of the murderers and victims are dreamt in the same space. The space of the performance\/s\u00e9ance of memory, like the space of a dream, is co-inhabited by thousands of beings.<\/p>\n Armine, Sister<\/em>\u00a0touches on how painful the memory-carrying process can be. It is also an attempt to identify\/name our place in relation to past generations, and to understand who we are \u2013 we, who always stand on the other side of memory like on the other side of the camera. We see history through a peephole, seeing only traces, shadows, thoughts.<\/p>\n <\/p>\n Cultivating an ethos of ensemble work, Teatr ZAR develops its artistic projects through long-term research into source material while creating a new theatrical language drawing on music from various traditions. Teatr ZAR is a multinational ensemble that was formed during annual research expeditions to Georgia between 1999 and 2003. During these travels, the group collected musical material, including a core of centuries-old polyphonic songs that have their roots in the beginning of the human era and are probably the oldest forms of polyphony in the world. Performances are just part of a long process of research, expeditions, personal explorations and transformation.<\/p>\n","protected":false},"excerpt":{"rendered":" ARMINE, SISTER
\n Stazione Leopolda – Florence<\/strong><\/p>\nperformers\/musicians: Davit Baroyan, Ditte Berkeley, Przemys\u0142aw B\u0142aszczak, Alessandro Curti, Jaros\u0142aw Fret, Murat I\u00e7linal\u00e7a, Dengbej Kazo, Aram Kerovpyan, Vahan Kerovpyan, Kamila Klamut, Aleksandra Kotecka, Simona Sala, Orest Sharak, Mahsa Vahdat, Marjan Vahdat, Tomasz Wierzbowski
\nmodal song studio led by: Aram Kerovpyan
\nvocal collaboration: Virginia Pattie Kerovpyan
\nsets built by a team led by Piotr Jacyk: Maciej M\u0105dry, Krzysztof Naw\u00f3j, Pawe\u0142 Nowak, Bartosz Radziszewski, Andrzej Walada
\nlighting: Maciej M\u0105dry
\nproject coordination: Magdalena M\u0105dra
\nmusical dramaturgy, installation, direction: Jaros\u0142aw Fret
\nproject cofinanced by the Ministry of Culture and National Heritage of the Republic of Poland<\/h6>\n
\nProject Cantare in Azione<\/p>\n","protected":false},"author":2,"featured_media":6240,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[1596],"class_list":["post-6256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-en","tag-festival-fabbrica-europa-2015-en"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/6256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=6256"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/6256\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/6240"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=6256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=6256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=6256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}