<\/p>\n
In 1988 the meeting of Michele Abbondanza and Antonella Bertoni in Paris marks the beginning of an artistic collaboration that leads to the foundation of the Company Abbondanza Bertoni. Michele Abbondanza studies in New York with Carolyn Carlson and is among the promoters of one of the fundamental experiences for the Italian choreography: the foundation of the company Sosta Palmizi in 1984. Francesca Pedroni describes it as: “a love story danced as a daily commitment – a feeling to be played not only in the time of secret lovers, but in the time of common labor. <\/p>\n <\/p>\n CALENDAR<\/strong><\/p>\n May 11, 2013 | Teatro Toniolo, Mestre<\/a> <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" In 1988 the meeting of Michele Abbondanza and Antonella Bertoni in Paris marks the beginning of an artistic collaboration that leads to the foundation of the Company Abbondanza Bertoni. Michele Abbondanza studies in New York with Carolyn Carlson and is among the promoters of one of the fundamental experiences for the Italian choreography: the […]<\/p>\n","protected":false},"author":2,"featured_media":7159,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-7165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-productions"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/7165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=7165"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/7165\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/7159"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=7165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=7165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=7165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIn these years, the dancer-choreographer is noted by public and critics. Furthermore, the new born Company Abbondanza Bertoni is one of the Italian companies that has been able to provide entertainment for an extremely enlarged audience.
\nTheir first show as an artistic pair and a couple was performed in 1991: Terramara<\/em>.<\/p>\n
\nBaskets full of oranges to be emptied and filled with, faggots of straw to be moved, sunlit imaginary fields to travel during the months of the harvest.
\nA dance of glances and contacts, where \u201cterramara\u201d (from the latin “terra mala”, i.e. deposits of fat and blackish land, made of the leftovers of vast prehistoric sites) creates the image of a centuries-old stratification of the creative nature (the hundreds of oranges turned upside down on the stage) from which we source and to which we shall return”.<\/p>\nchoreography: Michele Abbondanza
\nwith Eleonora Chiocchini and Francesco Pacelli
\nreconstruction by: Antonella Bertoni
\nmusic: J.S. Bach, G. Yared, S. Bor\u00e8 and music from popular traditions
\n1991 scenery: Lucio Diana
\nlight design: Carlo Meloni
\ncostumes: Marta Griso
\ntechnical direction: Andrea Gentili
\norganisation and press office: Dalia Macii and Francesca Leonelli
\n1991 production: Drodesera – Centro Servizi Culturali Santa Chiara
\n2013 production: Compagnia Abbondanza\/Bertoni
\nReconstruction within the project RIC.CI Reconstruction Italian Contemporary Choreography Anni \u201980-’90
\ncreation and artistic direction: Marinella Guatterini
\nin collaboration with: AMAT Associazione Marchigiana Attivit\u00e0 Teatrali, ARTEVEN Circuito Teatrale Regionale Veneto, TPP Teatro Pubblico Pugliese
\nin co-production with: Fondazione Teatro Grande di Brescia, Fondazione Fabbrica Europa, Fondazione Milano Civica Scuola di Teatro Paolo Grassi, Fondazione Ravenna Manifestazioni, Fondazione Teatro Comunale di Ferrara \u201cClaudio Abbado\u201d, Torinodanza Fondazione del Teatro Stabile di Torino<\/h6>\n
\nOctober 13, 2013 | Torinodanza, Torino<\/a>
\nOctober 16, 2013 | Teatro Sociale, Trento<\/a>
\nNovember 15, 2013 | Cantieri Teatrali Koreja, Lecce<\/a>
\nJanuary 25, 2014 | Teatro Comunale, Vicenza<\/a>
\nFebruary 28, 2014 | Teatro Camploy, Verona<\/a>
\nMay 13, 2014 | Festival Fabbrica Europa – Teatro Cantiere Florida, Firenze<\/a>
\nMay 15, 2014 | Teatro della Fortuna, Fano<\/a>
\nJune 12, 2014 | Ravenna Festival \u2013 Teatro Rasi, Ravenna<\/a>
\nOctober 11, 2014 | Teatro Grande, Brescia<\/a>
\nDecember 16, 2014 | Teatro Comunale, Ferrara<\/a>
\nJanuary 16, 2015 | Teatro Gioia, Piacenza<\/a>
\nJanuary 25 – 26, 2015 | PimOff, Milano<\/a>
\nJanuary 31, 2015 | Teatro Kismet, Bari<\/a>
\nMay 9, 2015 | Teatro Verdi, Padova<\/a>
\nJune 20, 2015 | Chiostri di Santa Caterina, Finale Ligure<\/a>
\nSeptember 15, 2015 | Cortile di Palazzo Platamone, Catania<\/a>
\nDecember 9 – 10, 2015 | Teatro India, Rome<\/a>
\n <\/p>\n[photo: Stefano Manica]<\/h6>\n