{"id":7258,"date":"2015-04-16T14:13:49","date_gmt":"2015-04-16T14:13:49","guid":{"rendered":"https:\/\/fabbricaeuropa.net\/?p=7258"},"modified":"2015-04-16T14:51:35","modified_gmt":"2015-04-16T14:51:35","slug":"compagnie-nacera-belazale-trait","status":"publish","type":"post","link":"https:\/\/fabbricaeuropa.net\/en\/compagnie-nacera-belazale-trait\/","title":{"rendered":"Compagnie Nacera Belaza<br>Le trait"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><em>Le Trait<\/em>, as the line that joins the three works of the new creation of Nacera Belaza.<br \/>\nTwo solos and a duo, like an echo to the path of the Franco-Algerian choreographer. After having danced for years alongside her sister Dalila, Nacera Belaza this time chose to work on a solo: a way to experience loneliness, feeling necessary to \u201cremain permeable to the surrounding environment and to receive the world inside oneself\u201d.<\/p>\n<p>For <em>Le Trait<\/em>, Nacera and Dalila have created three different choreographies. Separate on stage, they are united by the relation that they both have with the body, the space and the emptiness.<br \/>\nThis creation crosses another story: that of the choreographer and her country of origin, Algeria. Through <em>Le Trait<\/em>, together with two young dancers she met on the other side of the Mediterranean, Nacera Belaza explores the links between her \u201chypnotic\u201d choreographic language and some Algerian traditional dances, some sacred rituals.<\/p>\n<p>Even if minimal, Nacera Belaza\u2019s dance is very generous, inviting the viewer to make a journey inside himself in order to better meet it. And all its force is in the intensity of a minimal gesture that reveals a poetry capable of giving rise to a myriad of images, never representing any.<\/p>\n<p>&nbsp;<\/p>\n<p>La Nuit | choreography and dance: Nacera Belaza<br \/>\nLe Coeur et l\u2019Oubli | choreography and dance: Dalila Belaza<br \/>\nLe Cercle | choreography: Nacera Belaza; dance: Mohamed Ali Djermane, Lotfi Mohand Arab<\/p>\n<p>&nbsp;<\/p>\n<h6>sound and light design: Nacera Belaza<br \/>\nlight: \u00c9ric Soyer<br \/>\nsound editing and general direction: Christophe Renaud,<br \/>\nBeno\u00eet Rapidel<br \/>\nco-production: Festival d\u2019Avignon, Bonlieu \u2013 sc\u00e8ne nationale d\u2019Annecy,<br \/>\nMoussem (.eu), Le Parc de la Villette, Fondazione Nuovi Mecenati,<br \/>\nFabbrica Europa<br \/>\ncreation residencies: Le Prisme; PACT Zollverein, Essen;<br \/>\nTh\u00e9\u00e2tre national de Cavaillon \u2013 sc\u00e8ne nationale; La Fa\u00efencerie \u2013 Creil,<br \/>\nLe Forum \u2013 sc\u00e8ne conventionn\u00e9e de Blanc-Mesnil; Teatro Era, Pontedera<br \/>\nwith the support of: DRAC Ile-de-France, R\u00e9gion Ile-de-France,<br \/>\nAmbassade de France en Alg\u00e9rie, European Union, Institut fran\u00e7ais<br \/>\nDeutschland \u2013 Bureau du Th\u00e9\u00e2tre et de la Danse, with the support of Minist\u00e8re de la Culture<br \/>\net de la Communication\/DGCA (Bourse d\u2019aide \u00e0 la coproduction)<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Le Trait, as the line that joins the three works of the new creation of Nacera Belaza. Two solos and a duo, like an echo to the path of the Franco-Algerian choreographer. After having danced for years alongside her sister Dalila, Nacera Belaza this time chose to work on a solo: a way to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7253,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-7258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-productions"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/7258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=7258"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/7258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/7253"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=7258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=7258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=7258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}