<\/p>\n
Casual bystanders<\/strong> is based on the choreographic reconfiguration a corpus of \u201cnot-extraordinary\u201d gestures proceeding from kinetic and verbal fragments of casual bystanders observed in public places. Between 2014 and 2015 Salvo Lombardo has been observing and writing into a series of notebooks progressively numbered, their postures, their gestures, the rhythmic pace of their movement as well as sound fragments and parts of speeches. Casual bystanders<\/strong> is a project launched in 2014 that has led to the creation of B-side<\/strong>, a triptych of visual and sound installations curated by Isabella Gaff\u00e8 and Salvo Lombardo.<\/p>\n <\/p>\n Salvo Lombardo<\/strong>, performer, choreographer and director, studied modern philology at the University of Catania, and performing arts at the University La Sapienza in Rome. In 2009 he graduated at the Scuola d\u2019Arte drammatica of the Teatro Stabile in Catania. Over the years he has collaborated with several artists of the Italian and international scene such as Claudia Castellucci, Chiara Guidi, Ferruccio Soleri, Mamadou Dioume, Emma Scialfa, Vincenzo Pirrotta, Ewa Benesz, Lina Werthmuller, Lamberto Puggelli, Nair Karunakaran Kalamandalam, Marise Flach, Massimo Foschi, Alexander Zeldin, Joan Morey. He is co-founder of Clinica Mammut, whose productions have been presented in many Italian festivals and theaters. He has taught at the Istituto Europeo of Design in Rome, Teatro Stabile di Catania and Indaco Art Camp of Cesena. <\/p>\n <\/p>\n CALENDAR<\/strong><\/p>\n May 14-15, 2016 | Festival Fabbrica Europa – Stazione Leopolda, Florence<\/a> <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Casual bystanders is based on the choreographic reconfiguration a corpus of \u201cnot-extraordinary\u201d gestures proceeding from kinetic and verbal fragments of casual bystanders observed in public places. Between 2014 and 2015 Salvo Lombardo has been observing and writing into a series of notebooks progressively numbered, their postures, their gestures, the rhythmic pace of their movement […]<\/p>\n","protected":false},"author":2,"featured_media":9881,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-9429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-productions"],"_links":{"self":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/9429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/comments?post=9429"}],"version-history":[{"count":0,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/posts\/9429\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media\/9881"}],"wp:attachment":[{"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/media?parent=9429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/categories?post=9429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fabbricaeuropa.net\/en\/wp-json\/wp\/v2\/tags?post=9429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThe contexts where this material was collected are the most various places: squares, streets, shops, libraries, museums, stadiums, railways and metro stations. In parallel the artist also formed an archive with environmental recordings and samples.<\/p>\n
\nIn 2015 in Rome he started \u2018Struttura fine\u2019, an independent project of education and research for dancers and performers. For the implementation of the project Casual Bystanders<\/em> he was resident choreographer at Anghiari Dance Hub.<\/p>\nconcept, choreography and direction: Salvo Lombardo
\nwith Lucia Cammalleri, Daria Greco, Salvo Lombardo
\nvideo\/lighting design: Luca Brinchi and Maria Elena Fusacchia
\nsound overlaying: Salvo Lombardo on music by Luc Ferrari
\nsound design: Fabrizio Alviti
\nphotos: Carolina Farina
\ndistribution: Elena Lamberti
\nco-production: Fabbrica Europa, Karamazov Associati (CapoTrave\/Kilowatt, Progetto Goldstein, Pierfrancesco Pisani), Festival Oriente Occidente
\nwith the support of Anghiari Dance Hub
\nand Inteatro Festival; DiD Studio\/Danae Festival; Teatro Spazio Electa\/ACS Abruzzo; Villaggio d\u2019Artista; Festival Verdecoprente; Centro di Palmetta; [Non] Museo
\nproject winner of the call CID Cantieri 2016
\nproject winner of the call Anghiari Dance Hub 2015
\nproject selected for Movin\u2019Up_GAI
\nrunner-up Premio Arte nel Giardino di Irene 2015_Ass. Irene Brin | GNAM
\nselected for Artefatto 10_Reset | GAI<\/h6>\n
\nJune 27-28, 2016 | Il Teatro che danza – Teatro India, Rome<\/a>
\nJuly 2, 2016 | Inteatro 2016 – Teatro della Luna, Polverigi<\/a>
\nJuly 6, 2016 | Villaggio d\u2019artista – Teatro Il Maggiore, Verbania<\/a>
\nJuly 17, 2016 | Kilowatt Festival – Auditorium Santa Chiara, Sansepolcro<\/a>
\nSeptember 6, 2016 | Oriente Occidente \u2013 Auditorium Melotti, Rovereto<\/a>
\nSeptember 23, 2016 | Terni Festival, Terni<\/a>
\nOctober 30, 2016 | Danae Festival, Milan<\/a><\/p>\n