ATTENTION
For reasons beyond the control of the Festival and the company, the show is postponed to Fri October 1 at 21:00, again at the Teatro Cantiere Florida.

Subtle and invisible energies guide three bodies through the space of the performance, incarnating the different features of a love that, with a feminine emphasis, leaves the traces of its existence.
Anatomical presences and fragmentations feed on the relationships between bodies and objects, from which Eros/love flows forth and takes shape. Dominated and linked by under the sign of red – the colour of love and passion, but also of violence, danger and blood – visionary images are generated that dissolve into dynamics of sensuality and desire.
Lines and geometric shapes blend and mingle, producing hallucinogenic images bordering on the dream, which are capable of creating monsters or sacred figures, similarities, vectors of urgency or channels of energy and matter.
Artificial Paradises are signs, engraved and tattooed in space: the tangible mirrors of a hidden Eros, and the prostheses of a love that is unable to let itself go but which in the end inevitably guides and dominates us.

For his research work Davide Valrosso listens to current reality and focuses his attention on the gestures and energy driving the movement by trying to include all arts in an eclectic way. He works with visual artists and contemporary choreographers and has presented his creations in numerous festivals in Italy and abroad.

concept: Davide Valrosso
performers: Olimpia Fortuni, Roberta Racis Giulia Porcu
music producers: Stefano Libertini Protopapa, Pierpaolo Moschino
produced by NINA
supported by MiBACT and SIAE, within the “Per Chi Crea” programme
in co-production with C.I.M.D danza contemporanea, Compagnia Körper
and also supported by ADH – Anghiari Dance Hub, a.ArtistiAssociati, Lis Lab/Cross Project, Centro Residenze per la Toscana Armunia, Next – Laboratorio di idee per la produzione e distribuzione dello spettacolo dal vivo lombardo (Progetto Regione Lombardia in collaborazione con Fondazione Cariplo)

[photo: Paolo Sacchi]