II edition
Pisa – Pontedera 22 > 25 May 2014
NID Platform – New Italian Dance Platform is an initiative to promote the Italian choreographic creation by presenting the most significant dance production
and by fostering a confrontation between Italian and international operators.
PROGRAMME OF THE PERFORMANCES
Thursday 22 May
Pisa, Teatro Verdi Ridotto, h 15:30
Giorgia Nardin | All dressed up with nowhere to go
Pisa, Teatro Lux, h 16:30
Chiara Frigo/Emmanuel Jouthe | When we were old
Pisa, Teatro Verdi, h 21:00
Cristina Rizzo/Aterballetto | Tempesta/The Spirits
Eugenio Scigliano/Aterballetto | Don Q. – Don Quixote de la Mancha
Friday 23 May
Pisa, Teatro Verdi Ridotto, h 15:00
Marina Giovannini/Cab 008 | Meditation on beauty n. 1 – Meditation on beauty n. 2
Pisa, Teatro Sant’Andrea, h 16:00
Francesca Foscarini/Sara Wiktorowicz | Grandmother
Pisa, Teatro Verdi, h 17:00
Mauro Astolfi/Spellbound Contemporary Ballet | Relazioni (pericolose)
Pontedera, Teatro Era, h 19:15
Enzo Cosimi | Welcome to my world
Pontedera, Teatro Era, h 20:45
Riccardo Buscarini/Tir danza | Athletes
Pisa, Teatro Lux, h 21:55
Claudia Catarzi/Company Blu | Qui, ora
Pisa, Teatro Verdi, h 22:30
Alessandro Sciarroni | Untitled_I will be there when you die
Saturday 24 May
Pisa, Teatro Verdi, h 15:00
Martina La Ragione, Valentina Buldrini/Déjà Donné | Will
Pisa, Teatro Sant’Andrea, h 16:15
Silvia Gribaudi | What age are you acting? (le età relative)
Pisa, Teatro Sant’Andrea, h 17:00
Elena Giannotti/Company Blu | Lo sguardo del cane
Pisa, Teatro Lux, h 20:30
Giulio D’Anna/Versiliadanza | OOOOOOOO
Pisa, Teatro Verdi, h 22:30
Roberto Zappalà/Compagnia Zappalà Danza | Anticorpi
Sunday 25 May
Pontedera, Teatro Era, h 12:00
Chiara Bersani/Corpoceleste | Family tree
Pontedera, Teatro Era, h 15:00
Virgilio Sieni | Esercizi di primavera
Pisa, Teatro Verdi, h 17:30
Michele Pogliani, Giorgio Madia, Paolo Mangiola, Gianluca Schiavoni/Balletto di Roma | The Arena Love
PROGRAMME OF THE THEMATIC TABLES
Friday 23 May
Pisa, Stazione Leopolda, Room A | h 10:00 – 13:00
DANCE IN MUSEUMS AND CONTEMPORARY ART CENTRES
In recent years, side by side with their normal exhibitions, the main international contemporary art centres and museums have begun to offer their public performance events, and in some cases specific departments have been created to deal with projects of this type.
The Moma in New York, the Centre Pompidou in Paris, the Museo Reina Sofia in Madrid, the Tate Gallery in London, the Maxxi in Rome, the Museum of Contemporary Art in Chicago are only a few examples.
What role might the performing arts have in the mission of a contemporary art centre ?
How can live shows be set into the programming policy of a museum?
What are the artists proposals?
Pisa, Stazione Leopolda, Room B
PRODUCTION, MOBILITY, NETWORKING
Participants have in common a long-lasting experience in supporting artists and cultural and creative workers.
Artists without borders, neither aesthetic nor geographic, mobile and open to innovation and experimentation.
Lending an ear to their needs and expectations, the debate will analyse different networks, particularly the “dance houses” (EDN European Dancehouse Network) and share a number of experiences in Europe in support of artistic development, training and mobility of choreographers and dancers, as well as of performances and dance projects in transnational contexts. Discussion will focus on production and post-production processes and mutual services enhancing entrepreneurial skills, as well as on adequate residency spaces and contexts where to meet and network.
h 10:00 – 11:30
Dancehouses: experiences in Europe in support of production
h 11:30 – 13:00
Networking, residencies and mobility for artists
Saturday 24 May
Pisa, Stazione Leopolda, Room A | h 10:00 – 13:00
DANCE SPACES IN THE MEDITERRANEAN AREA
Morocco, Tunisia, Egypt, Lebanon, Turkey: choreographers who also create projects, spaces, initiatives for the development and support of contemporary dance.
The table for encounter and debate will trigger discussion between these experiences and those representing Italy, Holland, Greece, France; experiences and artistic and social realities widely different, focusing on research and contemporary creation to create reciprocal dialogue.
What are today’s prospects for the development of these realities?
What issues and what strong points are there?
Does the “intercultural dialogue” formula still have meaning? What form of collaboration, if necessary, is possible in our time?
A short period of reflection with the potential for further development, also through shared action.
Pisa, Stazione Leopolda, Room B | h 10:00 – 13:00
BILATERAL WORK AND COOPERATION: FROM PLANNING TO PRODUCTION
“Networking”, “co-production”, “internationalization” have for years been keywords for European operators. Yet many things are changing or have changed, often paradoxically.
The operators’ professional conscious has now metabolized a supra-national approach that requires further integration in the cultural policies of national institutions.
How to gain greater attention from the Institutions? How to urge for adequate legislative tools?
Reasons and opportunities for projects, participation in competition announcements and co-productions?
In this framework, what value do more direct, bilateral or even cross-frontier projects have?
How to nourish network activity interlacing with consolidated exchange models between similar artists and homogeneous operators with practices and experiences apparently allogeneic?
With the support of Ministero dei Beni e delle Attività Culturali e del Turismo – Direzione Generale per lo spettacolo dal vivo and Regione Toscana
In collaboration with AGIS/Federdanza
More info on
www.nidplatform.it