May 11, 2012 - May 12, 2012 21:30
audiovisual performance for noise machine, realtime audio and video
Within POST ELETTRONICA
A project curated by Valentina Gensini and Letizia Renzini
In tribute to John Cage, the project POST ELETTRONICA investigates territories of “post-electronic” experimentation revealing Cage’s contemporary inheritance and presenting artists who share a dramatic and gestural use of new technologies. Hybrid works that combine music, video, performance, sculpture, sound, noise become vocabularies of a composite language in which the management of advanced software is combined with the artifact in an attempt to dissolve the conceptual approach towards the involvement of the viewer.
Machines made of gears and cranks are manipulated to produce a sound construction at the crossroads of acoustics and electronics. Submerged in surround sound, the audience discovers the interaction between mechanical and synthetic sound. With specifically tailored programming, digital processing are enlarging the sound palette of the machines.
La Chambre des Machines (The Mechanical Room) stems from a desire to return to the physical world in an environment of digital creation. The project also refers back to the intonarumoris, sound machines built by Italian futurists at the beginning of the 20th century. These machines contained mysterious mechanisms, just as computers do today.