September 25, 2026 18:00
PARC Performing Arts Research Centre Firenze | IT
also scheduled on
September 26, 2026 18:00
as part of the Fabbrica Europa 2026 festival
Carusə | sine Sole sileo by Pierandrea Rosato, presented here in the form of a study, is a solo piece that moves through the much-debated dance of tarantism, but in its status moriendi. Inspired by Ernesto De Martino’s The Land of Remorse and in dialogue with Byung-Chul Han’s The Disappearance of Rituals, the performance explores ritual in its melancholic, exhausted, and residual dimension, culminating in the extreme form of aquatic tarantism, in which the desire for healing could turn into a desire for death.
At the centre of the performance is a young male body: youth understood as porosity, as an intuition not yet domesticated, and as the capacity to resonate with historical-political and affective memories that persist in the present as forms of haunting; masculinity as a displacement of a phenomenon traditionally associated above all with the female body.
The performer moves through states of trance, suspension and melancholy, intertwining his body with children’s and funerary lullabies, and with the only offstage musical presence, Poveri fiori by Francesco Cilea, performed by Montserrat Caballé: a feminine presence that transforms loss into form, in complicity with the ritual’s dying character.
Carusə | sine Sole sileo thus takes shape as the disintegration of a ritual: a young body moves through what has been lost from tarantism, what still persists in the present, and what, in its most extreme form, turns towards its own disappearance.

