platform A35

se tutto andrà bene qualcosa non ha funzionato

Only the human kind can dance. The dance compared to a straight, linear walk is a privilege which
avoid the origin of the performance.
Byung-Chul Han

What is the connection between dance and biografy? Our bodies describe each other on stage, bodies conceived like sets of signs, surfaces full of memories , continuously fighting against their transience, continuously falling off balance in flux. The biographical fragment shows its lack compared with the full experience of life and this tension open the space of the performance. The dancers process their links, doing a diagnosis of their encounter, displayng different singularities.
The memories of our bodies are investigated like a territory full of possibilities, their structures are able to tell the past, even though their interactions are unpredictable. We looked for a strategy to create a symbiosis between the fragmentary nature of the memory and what is happening on the stage.
Pietro Pireddu and Mosè Risaliti

Pietro Pireddu studied classic tecnique, contemporary and modern dance since 2001. In the 2004 he awarded a scolarship for the Balletto di Toscana and took part in several workshops with important teachers like Mauro Bigonzetti, Mauro Astolfi, Francesco Nappa, Emanuele Soavi, Shirley Esseboom, Pompea Santoro, Christopher Roman.His experience as a coreographer includes D’ogni Parola un Gesto (2006). In 2009 he created the company MAKTUB noir with Valentina Fruzzetti and since that moment is the artist director and coreographer  For the company he created different productionsamong which Una Breve Storia D’Amorte, PERDIDOS, Solo Per un uomo, Visioni Notturne, Crazy Light Moon and Bring Me. In 2009 he won the Personal Work Competition with the coreography Menteur . In 2009 /2010 he worked with the networks Ammutinamenti, visione danza urbana e d’autore with the coreographies Menteur and Soul Movement. In 2010 and 2012 he partecipated a the project CHOREOGRAPHIC COLLISION The new Choreography training course created by Assoziazione Danzavenezia, in collaboration with the Venice Biennale. A choreographies of Pietro Pireddu has been chose to represent Italy within the section of contemporary dance during the Cultural Days, BCE -Italy 2011 at Mousonturm in Frankfurt.

Mosè Risaliti is an Italian performer and choreographer born in 1981. During his diverse formation he has approached various disciplines of the body and the stage, studying contact improvvisation, yoga, floorwork and contemporary tecnique in Italy and outside with artists such as Francesca Della Monica, Alessandro Certini and Charlotte Zerbey, Julyen Hamilton, Katie Duck, David Zambrano. He worked with Living Theatre Europa,VoetVolk, A2Company, Ayelen Parolin. In 2011 he create, with the stage designer Eva Sgrò and the street artist Moallaseconda, a collective called Kirillov and with this name he signed his first works: Cammelli Polari, Chi cadde di testa si alza in piedi!, OZIO. He is one of the founders of Attivisti della Danza, Florence.

concept and dance: Pietro Pireddu and Mosè Risaliti
costumes: Alessia Castellano
sound and stage: Jacopo Buono
residencies: Sesto TRAM, Spazio Materia, Il Vivaio del Malcantone
production: Company Blu
with the support of Fabbrica Europa, Company Blu, Sesto TRAM, Il Vivaio del Malcantone, MIBACT Ministero dei Beni e delle Attività Culturali e del Turismo e della Regione Toscana

platform A35 develops in the new space of Fabbrica Europa, PARC ex Scuderie Granducali in Florence, an unconventional place.
The project is based on the idea of presenting young choreographers, Italian and not only, whose research shows new creative processes, but also the changing society that is necessarily reflected in them.

 
In the same evening there are also scheduled

SINA SABERI
PRELUDE TO PERSIAN MYSTERIES
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BEATRICE BRESOLIN
IO E L(‘)ORO
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MONICA GENTILE | MARCELA GIESCHE
FIRE OF UNKNOWN ORIGIN
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GRETA FRANCOLINI
RITORNELLO
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ISABELLA GIUSTINA
MURPHY
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SARA SGUOTTI | NICOLA CISTERNINO
TUTT-UNO
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