September 14, 2013 18:00
@Palazzo Paolo v_Benevento
The dancer’s body in this case represents the body of the work. It is not the spectator who approaches the work, it is the dancer who, approaching the eyes of the onlooker, exhibits herself and surrenders to the revelation of the detail.
The emphasis is on relations between anatomy and painting, thereafter between anatomy and dance. Thus the change in perception is established in the relationship between distance and vicinity.