Twister is born from a productive project of Fabbrica Europa Festival and the company Aura Dance Theatre that brought together the work group of Salvo Lombardo (Rome) and the Lithuanian company. This work is built around the Twister game that in a completely cross-generational and cross-cultural way has developed an excuse for many generations to […]
Ziad Trabelsi, oud Francesco Tomasi, lute, theorbo, medieval guitar Fabrizio Cardoza, colascione and viola da gamba Simone Pulvano, percussion Liu’ud is the meeting between two symbols of Western and Middle Eastern musical culture: the oud – one of the most fascinating Arab instruments, played by Ziad Trabelsi, singer and musician of the Orchestra […]
Study day on the role of performing arts festivals
26 October 2017 | San Gimignano
Fabbrica Europa has signed the Carthage Declaration on the Protection of Artists in Vulnerable Situations
Bhinna Vinyasa could be described as a ‘realm of changing configurations / assemblages’. Bhinna Vinyasa explores metaphysical journeys prompted by internal and external forces resulting in profound changes in the lives of individuals and communities. Images from arts and literature morph with the recollections of contemporary lived experiences where the archetypes, mundane and the imaginary coalesce […]
One of the most refined songwriters and interpreters of Italian song – Cristina Donà – works on a “water songbook” in which, among other things, she presents a number of her most famous pieces, starting with “Goccia”. In this musical stream we see one composition after another of her favourite authors: from Robert Wyatt […]
With good friends … and good food on the board … we may well ask, when shall we live if not now? M.F.K. Fisher, The Art of Eating Every weekend, on Sundays, I used to go to my grandfather’s house where the whole family gathers to have lunch, drink and dance. My grandfather was a […]
Choreographer and dancer Luisa Cortesi and trombonist Gianluca Petrella meet in Liquido, a performance in which music and dance are a in deep balance and develop in a continuous search, in a (im)possible dialogue. On stage, the sound texture created by Petrella with the trombone and live electronics inspires the movement of Cortesi that […]